My finished work and ongoing working practice is a continuous investigation and coalition within the areas of public art, painting and sculpture. Focused and conforming to a traditional and intrinsic format, I combine and utilise all available mediums. My research and interests extend into all visual art forms, the introduction of this and other individual reference material, substantiates an instinctive and progressive visual content. Resolute research and investigation associated to the subjects for repetition, public art as a studio practice, dance, unconscious working methods and ambiguous past events are permanent and transient components, central towards finished and future projects. Combined within the absorption and exploits of such activities is a continued response and a full-time successive program of experimentation, fundamental towards any assurance of progression. Sequential areas of inquiry, instinctive towards an influence and a remit for forthcoming projects, is the progression of consolidating restrictions, encouraging autonomy, colour and scale development. The unconscious act predominates, a blitz of objectives and actions are induced into the completed object, or the pursuance of chance and an uncomplex vision is established provoking a temporary conclusion, either way the extremities agitate and congeal forming a reference point for the viewer.