There is in the paintings of José Miguel Pérez Hernández a cheerful vital force that proposed to give us the nature to full hands, but not with that regularity that we would call realism, but to the way of a spout that he wants to transform everything into painting. 

From there its elaboration, its colors, its light. Everything has the time of the immediate. Its compositions separates of every complexity, they are resolved in few directions.  The space is reduced, the images pass to a first position as to be more near us. And when we are with its, it seems as if they were waiting for us with a smile in the lips. 

They are as greetings, friendly words, a magnificent song and they are appreciated.